Mary Magdalene c. 17th century

Curator: Before us hangs the monumental painting, Mary Magdalene, attributed to Francesco, called Cecco Bravo Montelatici, residing here at the Harvard Art Museums. Editor: My first impression is one of intense drama, a spotlight illuminating a lone figure amidst profound darkness. The tonal contrasts are quite striking. Curator: Indeed. The composition centers on Mary Magdalene, her gaze directed heavenward, framed by an ochre drapery. Note the putti above and the symbolic skull. Editor: The Magdalene, especially in the Counter-Reformation era, represents a potent symbol: repentance and the possibility of redemption, displayed for public edification. Curator: Precisely. Her pose, the upturned eyes, speaks volumes about seeking forgiveness, but what strikes me is how the structure of light and shadow creates the emotion. Editor: I agree. The chiaroscuro enhances the emotional intensity, underscoring the Church's narrative of sin and salvation. It is really quite impressive, isn’t it? Curator: Absolutely. Its artful arrangement resonates even now, an exemplar of the Italian Baroque style. Editor: It leaves a lasting impression of art serving a purpose.