Katherine Bartlet, Haverhill, Massachusetts, 1761 1963

Editor: This is "Katherine Bartlet, Haverhill, Massachusetts, 1761" by Ann Parker. The print has such strong graphic elements. What strikes you most about the composition? Curator: The dominant form is, undoubtedly, the central motif. Consider its symmetry, the balance of textures, and the interplay between positive and negative space. Note the stylized face flanked by wing-like shapes, all resting above the intricate, undulating line. Editor: I hadn't focused on the negative space as much. How does that affect your understanding of the work? Curator: The contrast emphasizes the texture within the forms. It highlights their distinct shapes and the artist’s command of line. The work's structural integrity is undeniable. Editor: That focus on the structure really helps to appreciate Parker's skill and intention. Curator: Indeed, a keen focus on form reveals deeper artistic choices.