THE LAST SUPPER (AFTER LEONARDO) 2013

Yinka Shonibare created this artwork using wax print fabric and fiberglass to recreate Leonardo da Vinci's "The Last Supper." Shonibare's choice of material is particularly significant. Wax print fabric, often associated with African identity, was actually inspired by Indonesian batik and produced by Dutch manufacturers for sale in West Africa. By using this material, Shonibare questions notions of cultural authenticity and explores the complex relationship between Africa and Europe, highlighting the legacy of colonialism and the globalization of trade. The headless figures add another layer of meaning, perhaps referencing the violence and dehumanization inherent in colonial power structures. The process of creating the figures—sewing and dressing them in these vibrant textiles—is labor-intensive, a reminder of the human cost of production and the often-invisible workers behind consumer goods. The abundant feast laid out on the table further emphasizes themes of consumption and excess, prompting us to consider the ethical implications of our desires. Ultimately, Shonibare's "The Last Supper (after Leonardo)" invites us to reflect on the power dynamics embedded in materials, making processes, and global trade networks, blurring the lines between art, craft, and social commentary.