Kabbalistische tellingen ter gelegenheid van de doop van prins Willem V, 1748 by Willem Boot

Kabbalistische tellingen ter gelegenheid van de doop van prins Willem V, 1748 1748

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print, typography, engraving

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baroque

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print

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typography

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engraving

Dimensions: height 393 mm, width 197 mm

Copyright: Rijks Museum: Open Domain

Curator: Oh, my, this is intense. So much text… Editor: That's putting it mildly. But don't worry, I’ll guide us through this piece. What we're looking at is an engraving and typography print called "Kabbalistische tellingen ter gelegenheid van de doop van prins Willem V, 1748," created, as the print itself tells us, by Willem Boot. The date is, of course, 1748. And at first glance, I just think of numbers and names... what is going on here? Curator: It’s a fascinating piece of propaganda and symbolic numerology rolled into one. You have this elaborate system where each letter corresponds to a numerical value, a kind of cabalistic method used to calculate the worth of names and titles associated with Prince Willem V's baptism. The names associated with Prince Willem were made to calculate 1748 in different combinations! Editor: Oh, I see, that's what’s going on! Look at that; so ‘Wilhelm’ has a value of 472, 'de' 9, V 300, et cetera! That's dedication! And those aren’t just any words at the top, are they? Curator: Absolutely. Each word represents a quality or position, like "Graef" or "Admirael". All to emphasize the subject's glory. Look closely, at the very bottom. This Minerva figure suggests connections to wisdom, strategy, and perhaps even divine favor. All of these symbols together solidify William as an admired Prince to the public of the time. Editor: Well, I guess the overall feeling you get is certainly, ah, calculated, ha! But a great look into just how meticulously and thoughtfully rulers had to think of their image, and also an insight into people's world views. Curator: Indeed. It provides us with a time capsule into 18th-century symbolic thinking. It illustrates how cultural memory was maintained and reinforced through carefully constructed visual narratives. Editor: It’s funny, I go from a slight overload from the complexity, to appreciating all these careful constructions in play! It truly does speak of a different time.

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