Three Young Ladies by the Seashore by Utagawa Toyokuni I

Three Young Ladies by the Seashore 1769 - 1825

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print, woodblock-print

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portrait

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boat

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print

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asian-art

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landscape

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ukiyo-e

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japan

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figuration

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woodblock-print

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mountain

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men

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genre-painting

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sea

Dimensions: H. 14 5/8 in. (37.1 cm); W. 10 1/8 in. (25.7 cm)

Copyright: Public Domain

Curator: This delicate woodblock print is by Utagawa Toyokuni I, who worked between 1769 and 1825. The piece is called "Three Young Ladies by the Seashore." Editor: My first thought is serenity. There's a subtle dreaminess to the figures, heightened by the muted color palette and the soft rendering of the waves. Curator: Indeed. The setting plays a role here; this Ukiyo-e print situates the women in a recognizable leisure space, suggesting the expanding commercial culture of Edo period Japan and the place of women within that context. Genre painting during this era offered glimpses into everyday life but was often carefully managed to promote specific social narratives. Editor: I find myself drawn to the hat of the central figure. It seems an explicit reference to sun protection, and yet her fair skin might also indicate something about her status, doesn't it? The other women hold fans too, objects that could convey wealth, or coquettishness...or both, perhaps? Curator: Precisely. And that is so important when considering these prints—who commissioned them and who the likely audience was. This imagery and presentation would've held specific meanings in connection to class and to gender norms in Japan at that time. Editor: The sea, too, seems meaningful here. Not wild, but calm and domestic, supporting little fishing boats. A symbol of stability perhaps? There is this air of genteel leisure rather than, say, romantic longing for nature’s vastness. Curator: A keen observation! The composition guides our focus; while the mountains sit distantly at the upper horizon, the women command our full attention. Editor: Looking closely, each woman strikes a unique pose, contributing to a diverse image of idealized womanhood and different roles within the broader societal fabric. Thank you, this piece leaves me with much to think about concerning both art and social history. Curator: It shows how Utagawa used these symbols so skillfully! I agree, a potent convergence of art and societal insight indeed.

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