Død(?) orientaler svøbes i et klæde under overværelse af et europæisk selskab til hest 1647

This small, undated etching depicts the wrapping of a dead oriental, overlooked by a European company on horseback. It speaks to the period's fascination with, and often misinformed depiction of, the ‘Orient’. We see two distinct social groups: the seemingly indifferent Europeans observing from horseback, and the 'orientals' attending to the dead. This visual segregation highlights the power dynamics inherent in cross-cultural encounters, hinting at the colonial gaze. The artwork, while unsigned, offers a glimpse into the social structures of its time. It's a stark reminder of the politics of imagery and the social conditions that shape artistic production. Further understanding could be achieved by looking into travel literature and colonial records. The true meaning of this artwork is contingent on its social and institutional context.