Istanbul met twee oevers van de rivier de Bosporus en schepen op de rivier 1909 - 1918

This small photograph, "Istanbul met twee oevers van de rivier de Bosporus en schepen op de rivier," presents a bird's-eye view of a bustling cityscape bisected by the Bosporus. Though its maker is unknown, the act of capturing this vista, this decisive moment, speaks volumes. I imagine the photographer, perched high above, carefully framing the composition, balancing the dense urban sprawl with the open expanse of water. It's all about light, isn’t it? Note the tones of the photograph: pale greys, soft browns, and hints of light. How these tones capture the atmosphere and depth of the scene. Think about the boats on the water; they're not just boats, but symbols of transit, exchange, and connection. I am in awe of the photographer’s eye and how they framed this scene. It reminds me of other artists, like Eugène Atget, who also documented the changing face of their cities. Like painters, photographers are observers and documenters. Each are in ongoing conversation, exchanging ideas across time, inspiring each other's creativity.