Landskab med vand by Axel Holm

Landskab med vand 1913

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drawing, print, etching, pencil

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drawing

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print

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etching

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landscape

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pencil

Dimensions: 79 mm (height) x 145 mm (width) (billedmaal), 295 mm (height) x 222 mm (width) (bladmaal)

Curator: What a charming print. We're looking at Axel Holm's "Landskab med vand" – "Landscape with Water" – created in 1913. It's an etching and pencil drawing held here at the SMK. Editor: My first impression is of tranquility. The scene feels still, almost melancholic. The dark trees against the lighter sky… it's quite evocative despite its modest size. Curator: Yes, and that melancholy perhaps speaks to its context. Holm was working during a period of great artistic upheaval in Europe, with artists responding in different ways to rapidly changing social conditions. Although a seemingly quiet landscape, such images were essential to preserving shared values in the face of progress. Editor: The water is also important. Water is very complex: source of life, purification, change, reflection... here, it seems to double the world above, holding it and perhaps threatening to swallow it. It’s all captured in that small, jewel-like image. Curator: The technique itself, the etching, reinforces this feeling. The lines create texture and a sense of depth. But that texture also connects it to its use. We have the impression of a print applied to paper... likely something circulated on the congratulations telegram also depicted in the sheet. Editor: And the composition! The trees are centralized but heavy, they loom, creating this interesting tension. The eye travels into the landscape, but it is quickly stopped by this darkness. A world both welcoming and slightly menacing. The pair of figures there at the edge certainly heighten that, no? Curator: Precisely. And that pairing reinforces ideas related to societal institutions such as marriage... themes of family life reinforced by the landscape and then transmitted across a telegraphic line of social connectivity. Editor: I find myself really drawn to this interplay of light and shadow; it almost feels symbolic of a larger narrative. Curator: Indeed. Thank you. It allows us to examine the place of natural and social reflection in Danish cultural consciousness at the turn of the century. Editor: A miniature world holding so many larger themes, a potent condensation of ideas!

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