Décidément elle est bien malade! c. 19th century

This is "Décidément elle est bien malade!" a lithograph made by Honoré Daumier, a master of social and political satire during 19th century France. Daumier was known for his caricatures of political figures and commentary on the bourgeoisie. Here, Daumier uses his sharp wit to critique French law under the guise of a sick child, literally labeled "Loi du Bima" or "Law of Bima." The figures surrounding the crib, presumably politicians or lawmakers, convey concern, yet their exaggerated features hint at a deeper mockery of the political establishment. Daumier’s work speaks to the uneasy relationship between those in power and the laws they create, often perceived as ailing or ineffective by the public. As a repeated target of censorship, Daumier once said, “I have to strike at what I see.” His art offers an emotional outlet for the frustrations of ordinary people, while questioning the integrity of those in authority. The print encapsulates the anxieties and tensions of a society grappling with legal and political issues. It compels us to reflect on the ever-present complexities of power, law, and public perception.