Portret van Geesje Kwak by George Hendrik Breitner

Portret van Geesje Kwak 1890 - 1900

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Dimensions: height 236 mm, width 177 mm

Copyright: Rijks Museum: Open Domain

Editor: Here we have George Hendrik Breitner’s photograph, "Portret van Geesje Kwak," taken sometime between 1890 and 1900. It's a very subtle sepia-toned image, quite soft. What strikes me is its intimate feel, almost like a candid shot despite clearly being posed. What do you see in this piece? Curator: I see a carefully constructed image deeply embedded in the socio-political context of its time. While seemingly intimate, the photograph arguably objectifies Geesje Kwak. Breitner, a male artist, captures a young woman in a way that positions her as an object of the male gaze. The soft focus, which you mentioned, almost romanticizes her. How does this reading resonate with your initial impression of intimacy? Editor: That's an interesting counterpoint. I hadn't considered the power dynamic at play. So, you're suggesting the 'intimacy' I perceived might actually be a kind of imposed vulnerability? Curator: Precisely. Think about the male gaze, theorized by Laura Mulvey. It's the way in which visual arts and literature depict the world and women from a masculine, heterosexual perspective, presenting women as objects of male pleasure. This photo might reflect that perspective. Were women given much say on their own portrayals at this time? What possibilities were available to working class women? Editor: Very little, I imagine. So the artist's intention and the actual effect on the subject could be miles apart. It's almost as if the 'portrait' is more about Breitner's artistic exploration than Geesje's identity. Curator: Indeed. It's crucial to consider the societal frameworks operating within the artwork. The beauty standards of the time, gender dynamics, even the developing medium of photography itself – they all contributed to shaping this image and how we perceive it today. Editor: I'm going to rethink a lot about what I assumed to be portraits, period. This makes me want to go explore more historical archives! Curator: That's the aim. Asking such questions is always necessary to enrich art exploration.

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