Plate Number 141. Descending stairs, turning and flirting a fan 1887
print, photography, gelatin-silver-print
sculpture
figuration
photography
gelatin-silver-print
monochrome photography
history-painting
academic-art
realism
monochrome
Dimensions: image: 29.5 × 24.9 cm (11 5/8 × 9 13/16 in.) sheet: 47.4 × 60.15 cm (18 11/16 × 23 11/16 in.)
Copyright: National Gallery of Art: CC0 1.0
Curator: Here we have Eadweard Muybridge’s "Plate Number 141. Descending stairs, turning and flirting a fan," a gelatin silver print from 1887. Editor: The arrangement of the images in this grid is striking; it has this very scientific, almost clinical feel to it, but it still captures the beauty and fluidity of human motion. The high contrast enhances this visual puzzle aspect. Curator: Right, Muybridge was driven by a deep interest in understanding and documenting movement. Consider the technological limitations of the late 19th century and his drive to produce work like this. He used a series of cameras triggered in quick succession. It highlights the burgeoning scientific inquiry into the physical world. Editor: Fascinating how this process reveals more than just motion, it speaks volumes. A woman's descent becomes a cultural dance with her fan: It’s not merely about walking downstairs. The fan as an extension of self, the flirtatious gesture suggesting propriety of a specific moment in history. Curator: Indeed, she and her garments would’ve needed to hold relatively still to be captured effectively for this extended still shot sequence, which, from a maker perspective, would present challenges. Note the amount of equipment and time invested in realizing an image such as this. Also, notice that behind her, there is the appearance of depth provided by the venetian blinds. Editor: Let's remember her posture and clothing are codes, each frame offering cues about Victorian womanhood. Think of that fan! It is not a random detail but a calculated act within society’s choreography, whispering across gaps left by language. Curator: We’ve moved a long way from a time when documenting such motion was only possible through great ingenuity. We now capture multiple actions every moment with relatively inexpensive, hand-held technologies. Editor: It is so easy today. Perhaps something’s lost—the careful art, cultural resonance of images that take the time to breathe, speak their subtle language, or descend in all propriety and consideration down a flight of stairs, complete with coquettish flourish. Curator: Yes, our engagement today is vastly different from when this gelatin silver print was meticulously crafted. This speaks to a time of transformation as science began impacting not only our world but how we represent it. Editor: These captured gestures now freeze, a window opens on Victorian nuance: an elegant interplay between technology and tradition, with whispers carried forth on silent paper wings.
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