drawing, chalk, pastel
portrait
17_20th-century
drawing
german-expressionism
figuration
expressionism
chalk
line
pastel
watercolor
Copyright: Public Domain
Ernst Ludwig Kirchner made this pastel drawing of a dancing couple. It lives at the Städel Museum. I can almost feel Kirchner's hand moving across the paper, those swirling marks of blues and greens creating a world around the figures. There's a kind of rawness and immediacy to it, like he was trying to capture a fleeting moment, a burst of energy. What was he thinking as he put this down? Was he interested in Degas and the way he painted dancers? Was he listening to music while he drew? The way he’s rendered the ballerina upside down feels daring, like he's pushing the boundaries of representation. Maybe he was thinking about Picasso, and ways to show things from multiple perspectives at once. This piece feels like a conversation, with Kirchner talking to artists past and present, picking up on their ideas, and then adding his own unique twist. It’s this exchange, this dialogue across time, that keeps art alive and relevant.
Comments
Kirchner studied the body in motion incessantly throughout his career: in the streets, in variety shows, cabaret and the circus. Dancers held a special appeal for him. Here, however, he reduced the bodies of the dancing figures depicted in pastel to rather rectilinear, angular, almost geometric forms, thus endowing them with an unexpectedly stiff and mechanical quality. Yet already just his restless – virtually nervous – handling of the drawing utensils lend the work an exceptionally dynamic effect.
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