Taminosuke in the role of Otsuma 1915

Editor: This is "Taminosuke in the role of Otsuma," a 1915 woodblock print by Natori Shunsen. It's striking! There's almost a fierceness in her gaze that’s a little unsettling. What do you see in this piece, Professor? Curator: Oh, she’s definitely got that 'don't mess with me' aura, doesn't she? This portrait, it’s so much more than just ink and paper, it’s like catching a fleeting moment, a story whispered through the ages. Can’t you almost hear the shamisen music and feel the drama of the Kabuki theatre swirling around her? It reminds me of those intense moments when an actor becomes utterly immersed in their role. And Shunsen…he's really captured that tension beautifully here. Have you seen much Ukiyo-e before? Editor: I’ve seen a few prints, but this feels different from the serene landscapes. It's much more…direct? Curator: Exactly! These actor prints, yakusha-e, were like celebrity posters of their day. Imagine waiting eagerly for the next release, wanting to see your favorite actor immortalized. This particular print showcases Taminosuke playing Otsuma, and you can see Shunsen really highlighting the strength and intensity a female role would demand of a male actor—a celebration of skill and transformation. The subtle colors, that piercing stare, the economical lines. I think there’s even some commentary about artifice at play. What do you make of the background, for example? Editor: It feels very flat and modern, almost clashing with the traditional subject matter. It’s…unexpected. Curator: Beautifully put! It’s as if Shunsen is nodding to tradition while winking at the future. These little jolts are what makes it so compelling, so timeless, wouldn't you agree? Editor: Definitely. It's made me rethink how I see Ukiyo-e – less static history, more dynamic performance. Curator: Wonderful! Now go forth and see what other exciting performance each artwork can ignite in your heart.