Alexander ontvangt Talestris by Monogrammist FG

Alexander ontvangt Talestris 1529 - 1542

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print, etching, engraving

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medieval

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print

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etching

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figuration

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11_renaissance

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history-painting

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academic-art

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engraving

Dimensions: height 243 mm, width 241 mm

Copyright: Rijks Museum: Open Domain

Curator: What a striking scene! Here we have "Alexander Receives Thalestris," an engraving by Monogrammist FG, dating from around 1529 to 1542. It's currently held in the Rijksmuseum. Editor: My immediate impression? It feels a bit theatrical, almost like a staged drama. Lots of imposing figures, helmets, and a kind of hushed tension in the air. Is Alexander about to make a difficult decision? Curator: Absolutely! Thalestris was the queen of the Amazons in Greek legend. The story goes that she visited Alexander the Great hoping to conceive a child with him, thus ensuring the continuation of a race of warrior women. This image captures the pivotal moment of their meeting. Editor: Interesting! Looking at their postures, there’s a clear power dynamic, isn't there? Alexander seems composed, almost wary. And there's a slightly ludicrous touch; those extravagant plumed helmets! They almost mock the purported seriousness. What would it have felt like to stand before him, faced with such spectacle? Curator: Those helmets, the armour – they all reinforce Alexander's status. The composition emphasizes this with the dense group of onlookers, heightening the drama. Their presence underscores the magnitude and historical weight of the encounter, echoing tales of conquests and encounters between different worlds and civilizations. Editor: But even in this carefully constructed scene, there is a touch of oddity. Look closely. The faces on that decorative belt look like grimacing little gargoyles and disrupt the serious tone. And look at that elaborate lettering! The whole piece feels rather baroque, not historically distant at all. Curator: I agree; there's a fascinating clash between classical ideals and Renaissance sensibilities. While the subject matter looks back, the artist's style and emphasis are quite contemporary to when it was made, showing how artists of the period interpreted and engaged with history through a creative and personal lens. The choice of printmaking, a relatively new and accessible medium, also speaks to a desire to circulate the legend and invite broader audiences to engage with it. Editor: Well, this encounter makes you wonder what the reality was actually like... if any of this actually took place, that is. Curator: Exactly. And the skill of the artist lets us debate such ideas even now. Editor: It certainly gives the old "history versus legend" debate a bit of visual spark!

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