Clarissa wordt gearresteerd bij het uitgaan van de kerk 1796

Daniel Nikolaus Chodowiecki created this etching, "Clarissa wordt gearresteerd bij het uitgaan van de kerk," using the intaglio printmaking process. This involved incising lines into a metal plate, applying ink, and then using a press to transfer the image onto paper. The intricate lines, creating textures, and the fineness of detail speak to Chodowiecki’s skill as an engraver. The stark contrast between light and shadow adds drama to the scene. The etching process was well-suited to the print market of the 18th century. Prints like these could be reproduced in multiples, allowing for widespread distribution and consumption of images. This connects the artwork to the burgeoning culture of print media and the commodification of images. Ultimately, understanding the technical aspects of printmaking, and its role in social and economic history, is essential for fully appreciating the artwork's significance. It challenges the traditional hierarchy between art and craft.