Whirligig c. 1937

Bernard Westmacott created this whirligig, a carved wooden figure, sometime before his death in 1995. The choice of wood is crucial here; it's not a precious material but something vernacular, easily worked with simple tools. The process of carving and shaping the wood defines the object’s appearance, giving it a tactile, slightly rough quality. You can almost feel the artist’s hand at work, paring back the material to reveal the figure within. This direct, hands-on approach has cultural significance. It reflects a folk tradition, where skill and ingenuity are valued over high-art refinement. The labor-intensive process involved in carving, chiseling, and assembling such a piece highlights the commitment of the maker. This tradition stands apart from mainstream art history, reminding us of the value in everyday creativity. By considering its materials, making, and context, we can move beyond conventional distinctions between fine art and craft.