House with a Turret, rue de la Tixéranderie, Paris 1876 - 1887
drawing, print, etching, architecture
pen and ink
drawing
aged paper
16_19th-century
etching
house
line
cityscape
architecture
realism
Dimensions: Plate: 9 1/2 x 5 3/16 in. (24.1 x 13.1 cm)
Copyright: Public Domain
Curator: Ah, look at this, a cityscape pulling us into a past Paris! Editor: Oh, I'm immediately caught by the detail—a world rendered in strokes! It feels… intense, doesn’t it? So many textures vying for attention on that aged paper. Curator: Precisely! We are looking at "House with a Turret, rue de la Tixéranderie, Paris." It’s an etching done in pen and ink by Edmond Gosselin sometime between 1876 and 1887. It captures a street scene, but really it seems preoccupied with this prominent building with the turret. Editor: That turret is incredible. It feels like a stubborn holdout from some fairy tale, crammed into a corner as the city sprouts up around it. It’s as if the artist felt the pull of both progress and nostalgia. Do you think that visual tension between the ornate and the utilitarian is on purpose? Curator: I believe so. The symbol of the turret goes beyond mere architectural detail, evoking that familiar yearning for a romanticized, perhaps imagined past, especially as industrial progress steams ahead in the background. Editor: Those chimney stacks huffing away, there behind the turret… almost mocking it, right? Like time itself is having a bit of a laugh. In old alchemy the turret represents defense, security… here it's overwhelmed, no? It feels as if time's alchemy, the march forward, is simply churning it away. Curator: Yes, and it gives real power to the scene’s overall impact. Gosselin wasn't merely documenting a street; he was etching a cultural moment. Editor: This little world of detailed lines and inky shadows makes me feel wistful. Looking at this work, I can see both a love letter and a premonition etched into those lines. Curator: Absolutely. There’s a haunting quality here, isn't there? This building persists on the page, and now in our minds.
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