Lion of The Fountain in The Piazza al Ravello 1932

M.C. Escher made this print of the Lion of the Fountain in the Piazza al Ravello using a meticulous process with a real eye for detail. I can really see the way he’s translated the textures and lighting of the sculpture into the monochromatic language of printmaking. The most striking thing is the contrast between the smooth surfaces and the intricate patterns of the lion’s mane and wings. Look at the crosshatching on the base - you can almost feel the rough, weathered stone. Then, zoom in on the lion's face; those hollowed-out eyes and the strange, mask-like quality give it this surreal vibe, like it's both ancient and futuristic at the same time. Escher was so fascinated with pattern and the interplay between reality and illusion, and this piece seems to capture that perfectly. It reminds me a bit of Piranesi, actually, in the way he plays with perspective and architectural details. Ultimately, it’s a reminder that art isn't just about what you see, but how you see it.