Dimensions: height 97.0 cm, width 58.5 cm, depth 58.0 cm, weight 17 kg
Copyright: Rijks Museum: Open Domain
Curator: Ah, yes, this is the "Armchair" designed by Hendrik Petrus Berlage around 1920. It resides here at the Rijksmuseum, a beautiful example of the Arts and Crafts movement. Editor: Immediately I think of… a throne. But a practical one. Something for a very stylish accountant. The dark wood and the geometric textile give it a formal, almost stoic presence. It’s not exactly screaming 'sink-in-and-relax,' is it? Curator: Precisely! It embodies that Arts and Crafts sensibility—where form follows function, and the artistry lies in the quality of materials and craftsmanship, rejecting mass production for unique pieces. Editor: You see that ethos so clearly in the exposed joinery, almost celebrated. It’s so…honest, which feels almost radical in a world of mass-produced comfort. Curator: Radical and a direct response to industrialization, might I add. Berlage advocated for simplicity and truth in materials. Look at the wood – likely oak, stained a dark, serious tone. Then contrast it with the woven textile – that graphic, rectilinear pattern… Editor: It’s deceptively simple, that textile. It’s more like an architectural blueprint translated into fabric. There’s a kind of stern beauty to it. But I am curious about how this kind of work relates to social progress at the time. It looks quite inaccessible, so who was the target consumer here? Curator: Good point! While the movement promoted accessibility of design, the handcrafting involved did often result in a higher price point, thus targeting a more affluent, design-conscious clientele who valued ethical production. This chair embodies that tension. Editor: So it’s a beautifully made, ethically considered object... for those who can afford it! It reflects, then, a fascinating social landscape. But that tension is part of its allure. There's a story woven—pun intended!—into every line. Curator: Exactly! Its austerity makes you wonder what conversations happened there, and who occupied it. It serves as a reminder that the "Armchair," while functional, can tell compelling stories about art, design and history. Editor: Makes you want to pause and ponder. It offers a stark lesson in the enduring impact of conscious design.
The architect Berlage designed this chair for Mr and Mrs Kröller-Müller as part of the furnishings for Sint Hubertus, their hunting lodge in the Hoge Veluwe National Park. The cross in the upholstery of the seat and back allude to St Hubert, patron saint of hunters. The stretcher between the front legs is curved inwards to make room for the sitter’s feet.
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