Dimensions: support: 711 x 915 mm frame: 851 x 1053 x 54 mm
Copyright: © The estate of Rodrigo Moynihan | CC-BY-NC-ND 4.0 DEED, Photo: Tate
Editor: This is "The Shelf: Objects and Shadows - Front View" by Rodrigo Moynihan. It's a quiet, almost stark scene. What do you make of the mundane objects he chose to paint? Curator: Moynihan challenges our expectations of what's worthy of artistic representation. By focusing on the everyday, he elevates the commonplace. It's a subtle critique of the art world's obsession with grand narratives. What purpose might these items serve? Editor: Perhaps they are studio supplies? It’s interesting how he presents these unassuming items, almost elevating them to the status of a still life. Curator: Exactly! Think of it as a commentary on consumer culture too. He subtly questions our relationship with these ordinary, mass-produced goods. Editor: So, it's about finding value in the overlooked? I'll certainly look at my own shelves differently now. Curator: Indeed, a powerful way to examine our daily lives and the structures around us.
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http://www.tate.org.uk/art/artworks/moynihan-the-shelf-objects-and-shadows-front-view-t03931
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Moynihan's recent still lifes extend not only his personal mastery of the genre but also a long tradition of artists' meditation on their own craft. Moynihan is consistently sensitive to the exact revelation of colour and of form by the fall of light. Here the very feel of contrasting substances is conveyed, as well as varying degrees of opacity and transparency and the translucency of modern plastics. Moynihan has remarked: 'These things I paint are kind of bone-coloured, and what fascinates me very much is the colour of dust and curious difficult transitions between very dull or dull-seeming colours ... their sort of dullness is full of light'. Gallery label, August 2004