Gespleten boomstammen in het park van Metternich bij Marienbad by Johannes Tavenraat

Gespleten boomstammen in het park van Metternich bij Marienbad 1869

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drawing, paper, ink

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drawing

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toned paper

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ink painting

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impressionism

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landscape

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paper

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ink

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forest

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watercolor

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realism

Copyright: Rijks Museum: Open Domain

Curator: Standing before us is "Gespleten boomstammen in het park van Metternich bij Marienbad," a drawing completed in 1869 by Johannes Tavenraat. It is a delicate rendering in ink and watercolor on toned paper, now residing at the Rijksmuseum. Editor: There’s a starkness to it, isn’t there? Almost monochromatic, like looking at a charcoal study, even though we know watercolor is involved. These split trunks—they feel like broken sentinels in a silent park. The toned paper adds a layer of aged mystery to the entire scene. Curator: The use of a toned paper base is indeed intriguing. Its inherent hue invites the viewer to fill in the color, engaging memory of natural settings in autumn and winter, seasons symbolic of decline or dormancy. Also notice Tavenraat’s expert use of ink wash to define form and texture—remarkably modern for its time. Editor: Absolutely! He’s captured something so essentially forlorn. These stumps, relics of trees past, become more than just objects; they transform into symbols of loss, of time’s relentless march forward. The light seems to bleed away in the mist around the park and dead wood. There's a feeling that everything is on the verge of dissolving. Curator: Splitting, cutting, hewing trees down has a profound legacy across multiple traditions and regions. This resonates within cultures as distinct as ancient Celtic and far eastern cultures where reverence and careful extraction from old-growth forests dictated traditions and myths. Tavenraat taps into this, I believe, even unconsciously reflecting an era increasingly conscious of its relationship with the natural world. Editor: Which gives the work added resonance today, as our awareness of the scars we leave on the planet has, shall we say, intensified. It reminds us that even in seemingly tranquil landscapes, there's often a story of change, sometimes violent, underlying the surface. This piece whispers volumes, even in its subdued palette. Curator: Indeed. Tavenraat offers a study more significant than simply a visual sketch. Editor: It lingers, this landscape. A poignant observation.

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