Allegory of the Power of Venus by Jan de Bisschop

Allegory of the Power of Venus 1638 - 1671

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drawing, ink

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drawing

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allegory

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narrative-art

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baroque

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pencil sketch

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charcoal drawing

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figuration

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charcoal art

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ink

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pencil drawing

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line

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history-painting

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academic-art

Dimensions: height 293 mm, width 378 mm

Copyright: Rijks Museum: Open Domain

Editor: Right, next up we have, "Allegory of the Power of Venus," a drawing in ink by Jan de Bisschop, estimated between 1638 and 1671. There is something about it that reminds me of a history painting. It is busy, Baroque, and quite theatrical. So, I'm curious, what strikes you most when you look at this piece? Curator: You're spot on with "theatrical!" It practically screams Baroque drama. For me, it’s the audaciousness of it all, this total embrace of… well, Venus. Look at how the artist revels in the textures and movement. Do you get a sense of narrative or symbolism behind this artistic explosion? Editor: I definitely pick up on a sense of narrative, I guess linked to its allegory tag. Is it that love conquers all? What sort of statement might this artist be trying to say, with all this? Curator: Love as an indomitable force, absolutely! Though Jan de Bisschop likely wasn’t being subversive but reflecting the tastes and intellectual currents of his time. Do you think we still buy that sentiment today, in such bombastic a form? Editor: I'm not sure if we do or not, no! Maybe its shock value is less effective now... but I can appreciate its artistry more, especially looking at all those pencil strokes... the volume. Curator: And perhaps that's the most interesting "power" of Venus. Its message has changed, yet the work endures and has the power to hold us and stimulate us centuries later. Editor: That's an insightful and reflective note. I definitely have a newfound appreciation. It has grown on me. Curator: Excellent! Then our time here has not been in vain. The conversation continues...

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Comments

rijksmuseum's Profile Picture
rijksmuseum over 1 year ago

No one is safe from Cupid’s love arrows; not a king, nor a knight, nor an old man. His mother Venus, to the right of centre, spurs him on. De Bisschop copied a painting by Alessandro Turchi, an artist from Verona, which in his time must have been in the possession of a Dutch collector. The picture is now in the Mauritshuis in The Hague.

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