Variété de lyre by Pierre Félix van Doren

Variété de lyre before 1828

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drawing, paper, pencil

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drawing

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paper

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coloured pencil

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geometric

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pencil

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line

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watercolour illustration

Dimensions: height 253 mm, width 208 mm, diameter 123 mm

Copyright: Rijks Museum: Open Domain

Editor: This is "Variété de lyre," made before 1828 by Pierre Félix van Doren. It's a drawing on paper using pencil and colored pencil. The delicate linework gives it a rather formal, almost decorative quality. What can you tell me about it? Curator: Let's consider the "how" of this piece. Note the repetitive, almost mass-producible nature of the lyre design, contained within the hard edge of the circle. We might think about this drawing not simply as an artistic expression, but as a material artifact indicative of production techniques. What kind of societal structures made an object like this possible? Editor: So, less about the artistic inspiration and more about how it reflects the time it was created? Curator: Precisely. Consider the availability of paper, pencils, and especially colored pencils, which were not always readily accessible. These materials indicate a certain level of economic development and trade networks. Moreover, the geometric precision and controlled lines suggest training and possibly the influence of industrial design principles even this early. Is this just a decorative piece, or could it have been used for something, and what can we discern about the society? Editor: I never thought about art materials reflecting economics! Looking at it now, the symmetry and neatness almost seem…manufactured, despite being hand-drawn. I was so focused on it just being "art." Curator: See how this relates to broader consumption? Where and why might you display such a design? Perhaps, an object like this played a small role in defining an individual's or group's status or taste, revealing material values and systems of patronage during that era. We are therefore considering labor, tools and design process. What do you take from this? Editor: I see it now, it’s about linking artistic expression to material reality. I'll never look at the medium of art the same again. Curator: Indeed, material choices speak volumes, often louder than intended.

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