Woman's Head c. 20th century

Editor: This is Elie Nadelman's "Woman's Head," a print from the Harvard Art Museums. I'm struck by its almost cubist-like simplicity, the way the face is reduced to these elegant curves. What do you see in the interplay of line and form? Curator: The lithograph presents a fascinating study in essential forms. Observe how Nadelman employs a limited vocabulary of curved lines to define volume and suggest depth. The absence of sharp angles creates a sense of harmonious unity. Editor: It's interesting that you mention "unity." At first glance, the composition seems almost fragmented. Curator: Indeed, but note how each element flows into the next, guided by the artist's hand. The interplay of positive and negative space contributes to the overall structural integrity. It is the line itself which defines the subject. Editor: I see your point. Thank you! It’s helpful to think of it in terms of the lines creating the subject, rather than merely describing it.