Absence makes the heart grow fonder 1912

Editor: We're looking at John William Godward’s "Absence Makes the Heart Grow Fonder," painted in 1912. The oil-paint depicts a woman in classical garb by the sea. There's a melancholic feel to it; she seems lost in thought. What do you see in this piece, from your perspective? Curator: Beyond the surface beauty and academic style, I see a loaded commentary on the position of women within patriarchal structures. Godward, known for his idealised depictions of women in classical settings, is placing her here, visually contained by the marble and landscape, hinting at social constraints and limited agency, no? Editor: I see your point. Is that why she is averting her gaze? Curator: Exactly! Consider the title. Absence, for whom? For women throughout history, their experiences have been shaped by absence – of power, autonomy, and even presence in the historical record. This image becomes less about romantic longing and more about the systemic silencing and marginalisation. Does the color palette evoke a certain feeling for you? Editor: It's interesting you mention that. The use of pink and yellow seem unexpectedly vibrant, a contrast to the presumed sadness. Is it possible the artist is attempting to hint to a sort of power in the figure? Curator: It could suggest resilience or inner strength despite external limitations, don't you think? That perhaps the vividness hints to a spirit which will transcend oppressive constructs. Godward’s work invites us to critically examine the roles assigned to women, both in his time and throughout history. Editor: It is making me see it with fresh eyes, as if he is both glorifying and critiquing simultaneously. Curator: Indeed! It is like looking at art history through an intersectional lens - art mirrors societal biases but it also hints at the possibilities for resistance. Editor: This reframing helps me view this work with renewed insight. Curator: Same for me, there's always more to learn!