De pisser 1887

James Ensor created "De pisser" in 1887 through etching, a printmaking technique using metal plates. The image emerges from the fine lines incised into the metal, capturing a figure in the act of relieving himself against a wall. Etching is an indirect process, demanding the artist to work through layers of acid-resistant ground and mordant. This labor-intensive method contrasts sharply with the vulgar subject. The use of etching imbues the scene with a sense of studied artistry. The rawness is thus a deliberate artistic choice rather than a reflection of a lack of skill. Ensor's engagement with such processes elevates everyday life to high art. He challenges conventional notions of what is considered noble or worthy of artistic representation. In doing so, Ensor bridges the gap between the formal traditions of printmaking and the anarchic energy of modern life. Ultimately, understanding the process of creation allows us to fully grasp the complexities of Ensor's vision.