Lake George 1869

John Frederick Kensett’s “Lake George” presents a serene view of the American landscape, evoking the concept of Manifest Destiny that was prevalent in the 19th century. Kensett, part of the Hudson River School, captures an idealized vision of nature, subtly reinforcing the narrative of American expansion and the domination over the land and its original inhabitants. While seemingly apolitical, landscapes like these served to promote a sense of national identity. This carefully constructed vista masks the violent displacement of Indigenous peoples, their absence from the scene further legitimizing the settlers’ claims. The tranquil lake and lush wilderness romanticize the notion of untouched land, ignoring the complex histories and lived experiences of those who called it home. As you gaze upon this landscape, consider the stories it omits, and how such idyllic visions have shaped our understanding of American history and identity.