The Resurrection by Melchior Meier

The Resurrection 1577

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drawing, print, engraving

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drawing

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print

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figuration

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form

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11_renaissance

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line

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history-painting

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engraving

Dimensions: sheet: 7 7/16 x 4 15/16 in. (18.9 x 12.5 cm)

Copyright: Public Domain

Curator: Look at this fantastic 16th-century engraving, entitled "The Resurrection" by Melchior Meier. You can currently find this print in the collection of the Metropolitan Museum of Art. Editor: It's wild, isn't it? The figures at the bottom are pure chaos, but then Christ at the top is bathed in light and…serenity isn’t the right word, but something like it. A visual thunderclap with a heavenly light switch thrown. Curator: The contrast you note is precisely what strikes me. The image pulls from deep wells of pre-existing symbolic imagery around light overcoming darkness, order arising from chaos, and rebirth—a cluster of cherubic faces ringing the aureole around Christ’s figure above a jumble of what are probably intended to be Roman soldiers. Editor: "Probably intended" - love the scholarly uncertainty! But honestly, they could be almost anyone—what makes them Roman soldiers in the cultural memory this piece aims for? Is it just the shields? It's like they're being vaporized by the sheer…iconography. It's over the top, definitely designed for maximum impact. Curator: Perhaps, but notice the directionality; Melchior Meier uses extremely fine, yet confident lines, to suggest a vortex motion throughout the scene. Our eyes trace an upward path following the narrative, not unlike reading the page of an open book. This technique lends even more dramatic heft to what is, after all, a fairly well-worn religious subject. Editor: It feels almost theatrical. The exaggerated musculature, the dramatically foreshortened figures, even the sheer busyness of the composition - all designed to inspire awe, perhaps even fear. It’s a reminder that images had a power in that era that's hard to fathom today in our saturated visual culture. They were conduits, weren't they? To something larger, divine even. Curator: Indeed, images held a potent sway over cultural narratives. Pieces like these served as crucial reminders and affirmations, embodying a certain visual potency. Editor: It's like flipping through channels - all these echoes of history, art, and pure, unadulterated visual storytelling. An engraving capable of containing universes of cultural symbolism. Pretty cool, right?

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