The standing Virgin with an elaborate ornamental frame by Anonymous

The standing Virgin with an elaborate ornamental frame 1600 - 1700

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drawing, print, ink, engraving

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drawing

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baroque

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print

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figuration

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ink

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history-painting

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engraving

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virgin-mary

Dimensions: plate: 4 x 3 9/16 in. (10.1 x 9 cm) sheet: 7 15/16 x 6 in. (20.2 x 15.2 cm)

Copyright: Public Domain

Curator: We’re looking at “The standing Virgin with an elaborate ornamental frame,” a drawing done sometime between 1600 and 1700, from an anonymous artist. It’s currently held at the Metropolitan Museum of Art. Editor: My first thought is how self-contained this image feels. It’s like a jewel, with this detailed frame almost shielding the Virgin. Curator: The Baroque period was definitely fascinated with complexity, and that extends to the religious art of the time. Engravings and ink drawings like these weren’t just devotional; they also circulated as powerful political imagery, often bolstering the power of the Church. Editor: Absolutely. The symbols layered here speak to that. You have the central figure, Mary, encased in what seems like an architectural niche. This presents her as a pillar of faith, almost literally holding up the structure of the Church. Curator: And it is also important to consider the social impact that this representation had in an era that art was one of the most accessible educational resources. Think about the devotional practice in different households and their engagement with similar artworks. Editor: Precisely! I am intrigued by the ornamental frame itself, a labyrinth of geometric shapes interspersed with Christian symbols – crosses, fleur-de-lis variations… all reinforcing Mary’s divine role. Curator: Those framing devices often were standardized and even re-used across different contexts and prints to appeal to broad tastes or serve specific political aims. Editor: It all pulls you in, doesn't it? The artist made something small and reproducible that creates a profound sense of awe. Looking closer reveals not just faith, but an assertion of authority. Curator: I think it is really important to continue to contextualize these historical artifacts in our discussions, it is too easy to let them gather dust. Editor: Indeed! Seeing how visual motifs weave through history, changing but never truly disappearing is quite special.

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