Shield, Helmet, Elephant-crest, and Mantling [reverse] by Matteo de' Pasti

Shield, Helmet, Elephant-crest, and Mantling [reverse] c. 1450 - 1451

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relief, bronze, sculpture

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sculpture

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relief

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bronze

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11_renaissance

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sculpture

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italian-renaissance

Dimensions: overall (diameter): 4.29 cm (1 11/16 in.) gross weight: 52.01 gr (0.115 lb.) axis: 12:00

Copyright: National Gallery of Art: CC0 1.0

Editor: This is Matteo de' Pasti's bronze relief, "Shield, Helmet, Elephant-crest, and Mantling," from around 1450. I'm immediately struck by how much depth and detail Pasti achieved on such a small, circular surface. It's incredibly intricate! What do you see in terms of the composition? Curator: Indeed. Focusing purely on the internal visual structure, note how Pasti skillfully uses concentric circles to organize the elements. The inscription forms the outer ring, framing the heraldic emblem at the center. The elephant crest, along with the implied lines of the helmet and shield, direct the eye towards that central emblem, creating a powerful focal point. Consider the varying textures and depths; how do they affect our reading of the piece? Editor: The texture is fascinating! The inscription seems flatter compared to the very three-dimensional elephant crest, which gives it this incredible sense of weight. It's almost as though the sculpture wants to pop out of the coin, even though it is made of bronze. Curator: Precisely. And observe the contrast between the smooth, polished surfaces and the rougher, textured areas. The interplay of light and shadow enhances the relief, contributing to a sense of dynamism and movement within the static form. How might this tension serve to amplify the visual message? Editor: I suppose it lends an aristocratic character to the portrait by making the coin’s surfaces lively, perhaps a metaphor for the strength the owner or their house. The details definitely bring the piece to life. I hadn't thought of that before. Curator: Exactly! Ultimately, by analyzing these formal relationships we begin to approach Pasti's project with more awareness. This has revealed elements that go beyond simple representation and toward symbolism of strength and nobility. Editor: Thank you. I am learning to notice a great deal more about formal features like this one, and what their effects are. I never looked at such an artwork and asked myself about concetricity and symmetry as related concepts!

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