[no title] by Giuseppe Penone

[no title] 2000

0:00
0:00

Dimensions: image: 192 x 147 mm support: 431 x 355 mm

Copyright: © Archivio Penone | CC-BY-NC-ND 4.0 DEED, Photo: Tate

Editor: This untitled piece is by Giuseppe Penone, with no specific date listed, but it's in the Tate collection. It appears to be a drawing or print depicting stacked lumber. I'm struck by the intricate detail in the wood grain. What do you see in this work? Curator: This work reflects Penone's broader interest in Arte Povera, a movement questioning institutional art spaces by embracing humble, natural materials. How does the presentation of stacked wood, typically destined for construction, as art challenge conventional gallery spaces and the commodification of art? Editor: So, it’s a statement on what we consider art, by taking something ordinary and placing it in that context? Curator: Precisely. Penone prompts us to reconsider the cultural and economic forces that elevate certain objects while marginalizing others. It reveals the politics inherent in display. Editor: That’s a really interesting way of looking at it. Thanks! Curator: My pleasure.

Show more

Comments

tate's Profile Picture
tate about 2 months ago

http://www.tate.org.uk/art/artworks/penone-no-title-p78576

Join the conversation

Join millions of artists and users on Artera today and experience the ultimate creative platform.

tate's Profile Picture
tate about 2 months ago

This is one of a suite of eleven images and twelve pages of text from the portfolio entitled Footsteps on Mulberry Tree Tops. The portfolio was produced in an edition of twenty-one plus four artist’s proofs. Tate’s copy is the twentieth in the edition, the first half of which was published in book form, the second as loose leaves in a box. The images were printed from plates made in the artist’s studio in San Raffaele, Turin by the publisher Jacob Samuel in Santa Monica, California. They were all made using the chin collé technique and a combination of softground etching, spitbite, hardground etching, whiteground aquatint and drypoint.