Kostuum van Lodewijk XI van Frankrijk uit het drama Louis XI à Péronne 1826

Editor: So this is "Kostuum van Lodewijk XI van Frankrijk uit het drama Louis XI à Péronne," a watercolor by Louis Boulanger, from 1826, currently residing in the Rijksmuseum. It has a somewhat fairytale feel, because it has a very specific, theatrical quality that is typical of costume design, as you can see with the subject. What do you notice about this particular artwork? Curator: Formally speaking, the composition is rather striking. Boulanger focuses intensely on the interplay of colors and textures within the costume itself. Note the juxtaposition of the deep purple velvet with the brighter green fabric. How does that contrast strike you? Editor: The choice of colors and texture does provide a vibrant visual interest, especially with the white stockings and their stark contrast. Why focus on costume? Curator: Consider the use of line, shape and colour here: notice the sinuous curves of the cloak, the geometric patterns of the stand nearby, and the flatness of the picture. Taken together, how would you describe the artist's attitude towards surface and depth? Editor: You are right. All are displayed with great precision but without attempting much in the way of realism; he highlights specific textures and forms, drawing attention to each element while simultaneously maintaining its distinct two-dimensionality. That suggests more focus on how surface contributes to conveying a greater narrative? Curator: Precisely. Editor: I learned that analyzing formal components unlocks symbolic meanings, allowing the viewer to access the artist's goal in portraying narrative meaning through aesthetic decisions. Curator: Indeed. Form serves to heighten the viewer's engagement with narrative and symbol through attention to how design communicates meaning.