Platter by Staffordshire Potteries

Platter c. mid 19th century

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painting, ceramic

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painting

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dog

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landscape

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ceramic

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figuration

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intimism

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folk-art

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romanticism

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genre-painting

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history-painting

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decorative-art

Dimensions: 53.3 × 27.5 cm (21 × 11 in.)

Copyright: Public Domain

Curator: At first glance, I see echoes of idyllic countryside narratives. Something peaceful, pastoral…almost like a storybook illustration. Editor: Well, you’re close. This is a Platter created by the Staffordshire Potteries around the mid-19th century. What strikes you about the details, if you focus a bit more? Curator: I immediately pick up on the central hunting scene—a man in pursuit of game with his dogs. It brings to mind specific symbols within aristocratic British culture. The hunt itself isn’t just a sport, but also a marker of status. The landscape in the background subtly underscores this sense of established social order, doesn’t it? Editor: Absolutely. It presents a very romanticized view of gentry life. Now, consider the broader history: transferware like this made images accessible to a wider audience during this period. Do you think that impacts how we view it today? Curator: It democratizes the image, yet subtly reinforces class distinctions through aspiration. Mass production doesn’t necessarily challenge power structures; sometimes it embeds them deeper into the collective consciousness. The decorative floral borders contrast against the structured hunting scene. Perhaps it suggests an ideal of cultivated leisure, blurring work and pleasure? Editor: I find the monochromatic color scheme really interesting, particularly the blue. How might that affect the mood and impact of the image for viewers over time? Curator: Blue and white transferware instantly conjures notions of classical and Delft traditions—linking to ideas of purity, but also a kind of historical remove. It transforms a dynamic scene, like a hunt, into something timeless, almost mythical, solidifying the symbolism for generations after. It certainly seems quite far removed from modern approaches to landscape imagery. Editor: Agreed! And while the idea of a porcelain platter depicting a hunting scene might feel antiquated to us now, at the time, it spoke volumes about social and aesthetic ideals. I almost want to see what kinds of foods were served on platters with such grand and stylized landscape scenes! Curator: A shared vessel, reflecting aspiration… it brings history and human culture closer than we often realize, perhaps we can all share similar symbols over food together!

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