Maskerade van het Studentencorps te Utrecht, 1886 by Johannes Hermanus van der Heijden

Maskerade van het Studentencorps te Utrecht, 1886 1886

0:00
0:00

drawing, print, etching, ink

# 

drawing

# 

print

# 

etching

# 

ink

# 

genre-painting

# 

history-painting

# 

academic-art

Dimensions: height 353 mm, width 488 mm

Copyright: Rijks Museum: Open Domain

Curator: What first grabs me is how this etched print visually arranges a procession into neat, almost cinematic tiers. Editor: Cinematic, yes, but also stiff. Each tier displays a slice of the parade—foot soldiers, riders on horseback, formally dressed figures—but lacks a sense of dynamic flow. Is that typical of academic art? Curator: In many ways. This is “Maskerade van het Studentencorps te Utrecht, 1886,” by Johannes Hermanus van der Heijden. Academic art prized clarity and historical narrative above, perhaps, lived experience. What strikes me, though, is the text emblazoned above the scene, "ol Justitiae Illustra Nos." It is as though Justice herself is leading the student parade, reminding them to uphold civic virtue as they march forward. Editor: Justice—or perhaps *an* idea of justice, filtered through the lens of a student organization and the academic artistic tradition. I do notice, looking more closely at the texture achieved by the ink on paper, that despite the static feel, there is skillful hatching, isn't there? A subtle energy that prevents it from becoming entirely lifeless. Curator: Precisely. The masquerade itself would be filled with complex signifiers understood by the students and the community – each costume telling a story, reflecting historical knowledge and cultural aspiration. Think of it as a series of symbolic performances carefully chosen to convey messages of identity and shared values. Editor: So the students, through their chosen dress and order within the tiers of this parade, were declaring who they were and how they envisioned themselves in society. Looking again at how that bold phrase “ol Justitiae Illustra Nos” arches overhead like an optimistic rainbow gives that theory a little more weight. Curator: These students were constructing and celebrating a collective narrative. To observe a historical genre painting like this reveals so much more than just the artistic technique involved. Editor: True. Beyond the lines and shades, we are offered an intimate view of history—its values, its aspirations, all filtered through a specific student organization’s idea of itself. It is a frozen moment made more insightful when brought back to life, however momentarily, by shared examination.

Show more

Comments

No comments

Be the first to comment and join the conversation on the ultimate creative platform.