"La Cafarelle" c. 17th century

Curator: Jean Morin's "La Cafarelle," an etching, presents an intriguing scene of figures inhabiting what appears to be ancient ruins. What catches your eye first? Editor: The light, definitely. It's so dramatic, highlighting the textures of the stone while casting deep shadows that suggest stories, secrets even. Curator: Morin's technique is remarkable; the precise lines create a sense of depth despite the limited scale. One really gets a sense of the labor involved in producing this image. Editor: It feels almost theatrical, like a stage set for a play about the past. The characters seem lost in their own world, unaware of us observing them. Curator: Indeed, the etching process itself—the acid biting into the metal, the pressure of the press—contributes to the final image and the ways it could be consumed. Editor: It's a reminder that even ruins can be spaces of habitation, filled with everyday life, dreams, and the quiet hum of existence. Curator: Thinking about materiality and the consumption of imagery really shifts the perspective. Editor: Agreed, it's always a joy to re-imagine these spaces.