De Omroeper van Versailles, 1692 by Anonymous

De Omroeper van Versailles, 1692 1675 - 1715

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print, engraving

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portrait

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baroque

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print

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old engraving style

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cityscape

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engraving

Dimensions: height 300 mm, width 200 mm

Copyright: Rijks Museum: Open Domain

This anonymous engraving, titled "The Town Crier of Versailles," was created in 1692. During this era, visual culture frequently served as a form of political commentary. Here, the town crier, adorned in elaborate attire, rings his bell to capture attention amidst a backdrop of naval vessels and turmoil. The text accompanying the image alludes to the political machinations of the time, referencing naval battles and the shifting allegiances of European powers. It's a satire, one that likely reflects the socio-economic tensions simmering beneath the surface of Louis XIV's opulent court. The inclusion of the dog, often a symbol of loyalty, adds another layer to the narrative. Is it a commentary on unwavering allegiance, or perhaps a critique of blind faith in authority? It’s a reflection of the ways power and identity intersect during times of conflict, and it allows us to consider the emotional weight of political upheaval.

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