Absalom raakt verstrikt in de takken van een boom by Nicolaes Maes

Absalom raakt verstrikt in de takken van een boom 1650 - 1660

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drawing, paper, ink

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drawing

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ink drawing

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baroque

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landscape

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figuration

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paper

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ink

Dimensions: height 209 mm, width 323 mm

Copyright: Rijks Museum: Open Domain

Editor: This is "Absalom entangled in the branches of a tree," a drawing in ink on paper by Nicolaes Maes, created sometime between 1650 and 1660. The drama feels very immediate, like a snapshot. What’s your take on why this biblical scene might have resonated with audiences of the time? Curator: It’s interesting you call it a snapshot. The immediacy you perceive probably had less to do with any attempt at realism and more to do with the didactic function of religious imagery in the 17th century. Maes painted many portraits, often depicting the wealthy, and religious scenes were also often commissioned and consumed by that same class. How might this image have served to reinforce social hierarchies? Editor: Well, perhaps it acted as a cautionary tale for those in power. Absalom's rebellion against his father, King David, and his subsequent demise could serve as a warning against hubris and disloyalty. Curator: Exactly. And consider the cultural climate. The Dutch Republic, still relatively young, had its own struggles with leadership and the balance of power. Maes’s “Absalom” isn't simply a recounting of a biblical episode. It's an intervention into the political discourse of his time, using art to negotiate complex social and political ideas. What do you notice about where this would have been hung? Editor: I suppose its smaller scale meant it was destined for more intimate settings rather than as a grand public display like, say, "The Night Watch?" That seems fitting. It feels much more like a private meditation on power and fate. Curator: Precisely. The intimacy invited viewers to engage with the moral and political implications on a personal level, linking their own lives to the narrative. That also affects the political discourse and dissemination. I think learning about how images get dispersed and what social classes engaged with this can offer us some insight today. Editor: That's a really interesting way of considering how art and social consciousness interact! I hadn't thought of it quite that way.

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