De vreemdelingen herbergen by Gerrit de (I) Broen

De vreemdelingen herbergen after 1695

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print, engraving

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narrative-art

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baroque

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print

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old engraving style

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figuration

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line

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genre-painting

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history-painting

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engraving

Dimensions: height 308 mm, width 200 mm

Copyright: Rijks Museum: Open Domain

Curator: This engraving, entitled "De vreemdelingen herbergen," which translates to "Sheltering the Strangers," comes to us from the hand of Gerrit de Broen the Elder, created after 1695. Editor: My immediate impression is the almost palpable tension in this small-scale print. The stark lines carve out a scene where hospitality seems both offered and withheld, visible in the body language. What strikes you first? Curator: I'm drawn to the figures themselves and the complex symbolism at play. Consider the symbolism of shelter itself and how deeply rooted in culture and religion welcoming the stranger is. Editor: Indeed, but the making of it speaks volumes too. This is an engraving, meaning each line is meticulously carved into a metal plate. It speaks to a process of reproduction and dissemination of a narrative – how did such images reach a wider audience and what materials were employed to convey it? The texture comes to mind… Curator: And look at how De Broen uses the landscape elements, like the lone palm tree, perhaps meant to evoke specific stories. Consider, too, the figures emerging from the doorway, rendered in detail but also carrying symbolic weight in the act of providing refuge. The palm may connect us to images of biblical passage or holy grounds. Editor: The choice of line engraving emphasizes clarity and precision, enabling multiples to exist. It invites us to think about what these types of images meant to their contemporary audiences, in what setting they could encounter them. How might a mass-produced scene of 'virtuousness' operate? The materiality affects the message, if that makes sense. Curator: Absolutely, there's an interplay. It invites a dialogue on ethics and duty and speaks to shared morality across societies. I like how the artist layers those readings, using imagery to trigger collective cultural memory. Editor: Well, for me, that link to the material and the hands that made it only enriches its significance further. Curator: It gives us much to think about beyond a simple welcoming gesture! Editor: A simple welcome this is not! More to uncover here still.

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