Portrait of a Woman by Kitagawa Utamaro

Portrait of a Woman 

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drawing, print, paper, impasto, ink, woodblock-print

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portrait

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drawing

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narrative-art

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print

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asian-art

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caricature

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ukiyo-e

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paper

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impasto

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ink

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woodblock-print

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orientalism

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portrait drawing

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watercolour illustration

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genre-painting

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portrait art

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erotic-art

Copyright: Public domain

Curator: So, here we have an intriguing woodblock print: Utamaro’s “Portrait of a Woman.” It’s striking, isn’t it? The medium is quite typical of ukiyo-e prints, utilizing ink and color on paper. Editor: My first thought is how remarkably still and contemplative this feels. The soft color palette and delicate lines really pull you into a private moment. What is she doing, precisely? Applying rouge to her lips, perhaps? Curator: Precisely! Utamaro was a master of capturing the intimate lives of women in the Edo period. This piece, though undated, offers a glimpse into the beauty rituals and perhaps even the performance of femininity. There's this lovely juxtaposition between the woman's serene face and the precise act she's performing. It raises questions about beauty standards and the roles women played. Editor: Absolutely, I agree. Thinking about this performance, her careful application seems almost ritualistic. The pale skin contrasts sharply with the vibrant red of the cosmetic stick. It emphasizes not just her beauty, but the artistry inherent in constructing an idealized image of a woman, particularly in a society governed by strict social norms. Curator: Yes, and note the exquisite details in her kimono—those cherry blossom motifs. Are they merely decorative or hinting at something more profound, maybe the ephemeral nature of beauty itself? You can almost feel the impasto! Ukiyo-e, as a genre, was, of course, heavily tied to narratives and genre paintings, and I think you can see that illustrated wonderfully here. Editor: Indeed! These prints, often categorized as "erotic art", push boundaries. How subversive, actually, to elevate these intimate scenes of women applying makeup into an art form that also implies their role within the rigid social hierarchy of that period. It speaks to the complexities of beauty and agency. I also feel that "portrait" might be too simple of a label, even though she is clearly depicted, her posture and gesture make it a dynamic piece. Curator: Well put! Thinking about this portrait has unveiled layers of interpretation for me. I feel even more intrigued now than when we began. Editor: Likewise. Reflecting on this artwork offers an invitation to scrutinize preconceived notions regarding the feminine and challenge traditional roles of women, pushing boundaries of beauty, art, and eroticism through art.

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