Koning Josia laat de paarden en wagens ter ere van de zon verwijderen by Anonymous

Koning Josia laat de paarden en wagens ter ere van de zon verwijderen 1643

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print, engraving

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baroque

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print

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history-painting

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engraving

Dimensions: height 215 mm, width 257 mm

Copyright: Rijks Museum: Open Domain

Curator: Look at the dynamic interplay of figures in this engraving. There's a tension and release built into its very structure. Editor: It's arresting! An immediate sense of upheaval— a frenzied drama unfolding within this architectural space. Curator: We're viewing “Koning Josia laat de paarden en wagens ter ere van de zon verwijderen,” dating to 1643. While the artist remains anonymous, its power is undeniable. The medium is a testament to the engraving skills of the baroque era. Editor: The Baroque influence is certainly visible. This feels like a statement piece. I am interested in how it intersects with the socio-political context of religious reform. What role did depictions like this play in shaping public opinion or reinforcing ideological viewpoints? Curator: Note the careful arrangement of bodies and the geometric clarity. Each figure, each form, has been carefully planned within a pyramidal arrangement, directing the viewer's eye toward the main action and maintaining the picture’s internal equilibrium. The central figure on the dais holds our gaze, as our eyes trace down to the deconstructed altar below, eventually landing at the inferno itself. Editor: The destruction unfolding is so starkly contrasted against the ordered architecture, a building that looks like it might have once housed the now debunked sun worship itself. And given it's depiction of iconoclasm—the destruction of images—we must ask what the effect might have been on its original audience, many of whom likely encountered this piece in print form and may have never seen the scale of destruction otherwise. It becomes a vital way to participate in shaping perceptions. Curator: A provocative analysis! I do concede that there is more to the surface here than one initially perceives, particularly once considering audience, scale, and materiality. The interplay of the linear elements also demonstrates that form itself bears potent content. Editor: I find it fascinating to ponder this print as an instrument of change. Thanks for highlighting the nuances within its geometric framework, those lend additional complexity to that initial dramatic impression.

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