Histoire De France by Eugène Grasset

Histoire De France 1895

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lithograph, print, poster

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art-nouveau

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narrative-art

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lithograph

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print

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figuration

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history-painting

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poster

Copyright: Public Domain: Artvee

Curator: This is Eugène Grasset’s “Histoire de France,” a lithograph created around 1895, advertising a history book by Victor Duruy. Editor: First impression? That central figure strikes a confident pose amid the vibrant art nouveau swirls. It's... authoritative but romantic, I guess? The figure's costume and those swirling motifs... Curator: Indeed, it is emblematic of its time. The poster marries symbolism with overt promotion, typical of late 19th-century advertising aesthetics. Observe the female figure—an allegorical representation of France itself. Note the way the French flag provides backdrop. It’s interesting how it embodies this shift towards mass literacy and nationalism converging. Editor: I love how the historical figures are spilling out from the book like she’s literally conjuring them, especially the little French symbol that keeps popping up all over the place. But it's interesting the choice of historical characters. What makes them important and representative of France? Curator: A critical question. We have major monarchs but also figures representing the revolution like "Republique" - clearly the intention is to suggest France's evolution as one unified history, and the promotion of the work serves a narrative to coalesce a strong French identity. It’s about defining Frenchness, especially significant amidst the turbulent politics of the fin de siècle. Editor: This image sells not just a book, but a nation and its narrative. I am sensing a grand attempt at nation-building here. But let’s get practical—50 installments at 50 cents? Seems like quite a commitment for a history lesson! Curator: A shrewd financial plan for the publisher, no doubt democratizing knowledge at a price, expanding literacy, all those considerations, converge right there, within those details. Editor: I still keep coming back to that main figure. She looks proud but also weighed down by the symbolic burden of holding a sword and a book. I wonder, does she embody strength and reason or perhaps both are also some heavy loads for France to bear as she looks at the future? Curator: An interesting reading, as that tension mirrors the broader concerns of that era, oscillating between idealized narratives and unsettling socio-political realities. Editor: Makes you wonder, doesn't it, about who writes history and for whom? Food for thought!

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