print, engraving
ink drawing
medieval
narrative-art
figuration
line
history-painting
northern-renaissance
engraving
Dimensions: 8 1/8 x 5 5/8 in. (20.64 x 14.29 cm) (image)
Copyright: Public Domain
Israhel van Meckenem created "The Crucifixion," a detailed engraving, sometime before his death in 1503. The composition, a tapestry of closely packed figures, draws our eye across the scene of Christ’s crucifixion. Van Meckenem uses line to construct form and convey texture, creating a rich visual field. The density of marks varies, with shadow achieved through hatching, and the figures modeled using closely spaced, curved lines. Through tonal variation, the artist creates a sense of depth, positioning the viewer in the immediate foreground. The engraving reveals a dense visual landscape, full of action and emotion. Van Meckenem’s “Crucifixion” becomes a powerful meditation on suffering, death, and the spectacle of public execution. The image is not just a religious scene, but also a reflection on the structural violence of its time.
Comments
The improbable image of Christ seated on the cross, awaiting death, provided viewers with a dramatic moment in which to contemplate his quiet acceptance. This type of Christ as the forlorn outcast originated in northern Germany in about 1370. Because it so perfectly encapsulated a consoling and ultimately humble Christ, versions of this pose circulated widely.
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