Verstrengelde, naakte man en vrouw by Henk Schilling

Verstrengelde, naakte man en vrouw 1919

0:00
0:00
# 

natural stone pattern

# 

toned paper

# 

possibly oil pastel

# 

tile art

# 

pencil drawing

# 

coffee painting

# 

animal drawing portrait

# 

portrait drawing

# 

tonal art

# 

watercolor

Dimensions: height 377 mm, width 237 mm

Copyright: Rijks Museum: Open Domain

Editor: Here we have Henk Schilling’s "Verstrengelde, naakte man en vrouw" or "Entangled, Naked Man and Woman," created in 1919. It's striking how the muted tones and intertwined figures create such a strong sense of intimacy, but also almost…suffocation. What’s your take on it? Curator: Considering the historical context, right after the first World War, this work resonates with a larger cultural narrative. The war devastated a generation, and this image perhaps explores the desire for connection and comfort amidst widespread trauma and uncertainty. Does this embrace appear consensual to you, or are you perceiving tension? Editor: I definitely see the tension now that you point it out. It seems less romantic and more… desperate, maybe? Is the fact that they are nude significant? Curator: Absolutely. Nudity here can signify vulnerability, stripping away societal constructs to reveal the raw, human need for solace. Many artists explored the human form in that era, using it to represent primal emotions and anxieties. But I also wonder, what were the public displays of intimacy like in 1919? Could this pose be viewed as controversial? Editor: Probably pretty controversial. So, you are saying the cultural mood probably helped influence how this intimacy was displayed by Schilling? Curator: Exactly. It shows that intimate moments, too, are impacted by larger historical currents and are, indeed, quite political. It seems art is more involved than simply reflecting social contexts; it engages in a nuanced dialogue. Editor: I see it now. Thank you! It is as though we also need to recognize its entanglement with historical and political factors. Curator: Indeed, a good way to approach much of art history.

Show more

Comments

No comments

Be the first to comment and join the conversation on the ultimate creative platform.