Embarkation of St. Ursula by Claude Lorrain

Embarkation of St. Ursula 1665

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drawing, print, etching, engraving

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pen and ink

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drawing

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ink drawing

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baroque

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ship

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print

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pen sketch

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etching

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landscape

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etching

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men

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cityscape

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history-painting

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engraving

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building

Dimensions: sheet: 10 3/8 x 13 3/4 in. (26.4 x 35 cm) plate: 7 7/8 x 10 1/4 in. (20 x 26 cm)

Copyright: Public Domain

Curator: This drawing by Claude Lorrain, titled "Embarkation of St. Ursula", presents a bustling harbor scene rendered with exquisite detail using pen, ink, and etching techniques. Created in 1665, it captures a moment steeped in historical and religious significance. Editor: My first impression is that it feels meticulously crafted but strangely impersonal. The figures seem secondary to the grand architecture and ships. Curator: Lorrain was masterful at integrating classical architecture and maritime settings. The architecture reminds me of temples, with columns suggesting permanence, and it’s combined with the movement implied by the ships, loaded for a voyage. St. Ursula and her story signify pilgrimage and devotion, voyages that may represent trials but also religious commitment. Editor: Exactly. It highlights a tension of mobility and stability within structures of power, of a colonial presence on the horizon. These aren’t merely aesthetic ships; they carry people, cargo, and perhaps something more sinister: histories of extraction and domination. How does St. Ursula's narrative intersect with those untold stories within this harbour scene? Curator: St. Ursula symbolizes the resilience of faith against worldly pressures. It's the early church facing Roman challenges, recast within the era of colonial ambition. Even then, images often present ideal aspirations. There's always an effort to harmonize historical narratives to contemporary societal ideals or beliefs. Editor: Harmonizing, or obscuring? Perhaps what interests me more are the margins—the labourers on the shore, rendered insignificant compared to the saints embarking and to the colonnades, and what does that represent for our modern interpretation of who is valued, who gets a space in our memories and historical paintings, or simply who carries whose weight to perpetuate our vision? Curator: This perspective brings attention to the unspoken and un-depicted experiences within these grand historical depictions. There is value in seeing an etching like this as both a showcase of baroque technique and as a conversation point for a more complex past. Editor: It's in revealing those layered histories that we make this relevant today. And that's, ultimately, how these beautiful yet freighted images gain new life and challenge us to see more than meets the eye.

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