Estampes de costumes, 1744, Pl. 4 (507) by Charles Grignion, I

Estampes de costumes, 1744, Pl. 4 (507) 1744

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print, engraving

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portrait

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print

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old engraving style

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genre-painting

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dress

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engraving

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rococo

Dimensions: height 279 mm, width 187 mm

Copyright: Rijks Museum: Open Domain

Editor: This engraving, titled "Estampes de costumes, 1744, Pl. 4 (507)" by Charles Grignion I, showcases a woman in an elaborate dress. The detail in the fabric is quite impressive! What can you tell me about the historical implications of the fashion on display? Curator: What strikes me immediately is the rigid structure beneath the fabric. The clothing represents more than mere decoration; it signifies societal expectations and constraints imposed on women during the Rococo era. Consider how such attire limited mobility and independence. Editor: It’s interesting how the clothing itself becomes a sort of symbol. How would you connect this visual representation of gender and class to broader discussions around women's rights? Curator: We can analyze how fashion was utilized as a tool of control and how women navigated, and sometimes subverted, those limitations. How do you interpret her stance, her gaze? Do you find a sense of agency or merely a passive acceptance of her role? Editor: She looks serene, but perhaps there's also a hint of defiance? It’s hard to tell. This conversation made me think about how clothes have always been used as a way of either fitting in or standing out in society. Curator: Precisely. Understanding these visual cues enables us to decode the complex relationship between the individual and the structures governing her existence. Editor: I learned so much by looking at what might have seemed, on the surface, a mere fashion plate. Curator: Exactly. And fashion can act as a reflection of its cultural epoch.

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