1895 - 1905
Broadsheet with Saint Camilo de Lelis in bed surrounded by demons, priests and the Holy Trinity above
Listen to curator's interpretation
Curatorial notes
Editor: This is an engraving from the late 19th-early 20th century, titled "Broadsheet with Saint Camilo de Lelis in bed surrounded by demons, priests and the Holy Trinity above." It feels both deeply religious and strangely unsettling – like a medieval morality play. What grabs your attention when you look at this piece? Curator: Oh, I'm instantly drawn to the vibrant chaos. Imagine this not just as an image, but as a story someone wanted to spread, a message delivered with devils, angels, and earthly concerns all battling for attention! I wonder what story this image tells beyond the literal… I see wealth, fear, faith all competing for the dying man's soul! How do you interpret the presence of the Holy Trinity overlooking this earthly scene? Editor: It feels like a promise of salvation, maybe a comment on the ultimate power of faith over earthly struggles, even on one's deathbed. But what’s with all the… money? And those peculiar demons! Curator: Ah, yes! Those aren't your standard, pitchfork-wielding devils, are they? This is where the magic truly bubbles. To me, that money scattered on the table might symbolize earthly temptations. Saint Camilo was known for working with the sick and the poor, so this scene reflects his choices. And those demons... almost cartoonish, a tad ridiculous, which dilutes the drama of the divine… It asks what genuinely frightens us on our deathbeds. Is it hellfire or leaving behind earthly comforts and unresolved issues? Editor: I hadn't thought of it that way, viewing the demons as slightly silly! So, the engraving almost becomes a… satire? Curator: Perhaps a gentle nudge toward reflection rather than pure religious fear. This piece lets the viewer ask if salvation is granted merely by belief or by a life lived in service to others, as Camilo modelled. Editor: I like how it moves between reverence and almost irreverent observation! Definitely makes me look at religious art differently. Curator: Exactly! Art should spark thought, challenge beliefs. To make a well known saint and his battles our own personal reflections on death is part of art’s lasting power.