The Scream 2016

Kent Monkman created "The Scream," using oil on canvas. The smooth, almost photographic finish belies the horror of the scene depicted: the forceful removal of Indigenous children from their families by figures of authority – priests, nuns, and Royal Canadian Mounted Police. Monkman’s choice of oil paint is significant. This medium, historically associated with European art traditions, is here deployed to confront a dark chapter in Canadian history. The meticulous layering of paint allows for a high degree of realism, making the scene all the more unsettling. Note the way light falls on the figures, the texture of their clothing, and the raw emotion etched on their faces. The artist’s labor-intensive process mirrors the systematic, relentless nature of the residential school system. By appropriating the techniques of the old masters, Monkman reclaims the narrative, forcing viewers to confront the devastating legacy of colonialism and cultural genocide. It’s a powerful reminder that even the most seemingly straightforward materials and techniques can be imbued with profound social and political meaning.