Publicatie in Engeland van het uitbreken van de oorlog en het vertrek van de ambassadeur Meerman, 1672 1674

This print, made in 1672 by Romeyn de Hooghe, captures a pivotal moment in Anglo-Dutch relations. It is an etching, meaning the artist would have coated a metal plate with wax, scratched an image into it, and then submerged the plate in acid. This process allowed the artist to make multiple copies efficiently. The print's linear quality and sharp contrasts come directly from the incised lines, giving the scene a sense of immediacy, as if we're witnessing history unfold. The act of printing itself democratizes information, making these events accessible to a wide audience. Consider how the material and process contribute to the print's social significance. The print is not just an image; it's a form of mass communication, shaping public opinion. It shows how artistic techniques intertwine with politics and society. It is a powerful reminder of how art can capture the drama of a nation's history.