Anonymous Follis c. 976 - 1035

Curator: The Anonymous Follis at the Harvard Art Museums presents an interesting problem in numismatic history and its social context. The wear on the metal suggests use and exchange. Editor: I'm struck by the weathered patina and circular format; it feels like gazing at an ancient, tarnished sun. Curator: Indeed, the production of these coins allowed for a broad dissemination of religious imagery and imperial authority. Editor: The figure on one side, likely Christ, emanates a somber and powerful presence through its detailed, if worn, depiction. Curator: The material—the base metal—and the mass production speak volumes about the Byzantine economy and its need to facilitate transactions. Editor: It's remarkable how the design, even in its deteriorated state, still projects an aura of Byzantine imperial power and religious conviction. Curator: It makes me wonder about the hands it passed through, and what they could buy with it. Editor: Absolutely, and that is something beautiful to contemplate.