MSS Bible Regia 

Editor: This drawing, "MSS Bible Regia," seems to be a study of medieval figures and architectural details, probably dating back to the 18th or 19th century given the style, even though it depicts an earlier era. It feels very academic and focused on historical accuracy. What do you see in this piece beyond the surface representation? Curator: It’s more than just an accurate representation, it’s an interpretation that subtly reinforces power structures. Look at how the "noble" and the religious figure are centered and framed by architectural motifs, whereas the "primate" and the "cocket" are relegated to the margins. This visual hierarchy reflects the social order of the time and reveals the artist’s implicit biases and possible patronage. Editor: So, you are saying that the artist isn't just copying something they saw, but also making choices about who and what to emphasize? How does this reflect broader societal attitudes? Curator: Exactly. By highlighting the religious figure and the noble within these constructed architectural frames, the drawing actively participates in upholding their authority. This ties into medieval concepts of divine right and inherited power. How might feminist theory help us understand the underrepresentation of female figures and domestic objects in this sketch, for example? Editor: That's a great point, there's only a drawing of the “primate” in the corner, and no figures showing a Queen or noble woman in power. I initially saw a simple historical drawing, but I now realize it also reinforces social narratives. Curator: Precisely! By applying critical lenses, like feminism and cultural studies, we unearth hidden dimensions. The artwork is a product of its time, both in its subject matter and its subtle political messaging.